Music
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I have a love/hate relationship with James Lavelle. I respect what he did with Mowax back in the day, but I question why he tries to stay relevant. Never quite understood his contribution with UNKLE either. From what I can tell he always hired other producers to make the music (DJ Shadow, Rich File, etc) but it’s his project
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I have a love/hate relationship with James Lavelle. I respect what he did with Mowax ….,
And so do I.
In the end it is about experience music…
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Hip Hop fans prepare to lose your s#$t! R.A. is back in 2019!
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Speaking of hip-hop…
as seen in
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@mclaincausey that Ultra mags l.p. was a game changer. I remember buying it in 88 from a small record shop in my town. Roughly the same time as Tuff Crew dropped their l.p..
Just Begun always reminds me of the scene in Flashdance!
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Spider Man: Into The Spider-Verse OST.
Try it. It's excellent.
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Pete Shelley-
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@neph93 have you seen the Grant Hart documentary? Check it out, it's really good. He's crackers…in a good way
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Kool Keith is awesome
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Pete Shelley-
I know [emoji17].
I was in Bergen in western Norway on a bender about ten years ago. The girl I was with (who may have been slightly younger than me) said “You’re old, do you know who the Buzzcocks are? They’re playing in town tonight”. Random af. It was a great night.
@Stuart.T I haven’t but it is on the list. They were all a bit loony I think.
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A band I was in used to rehearse at Back Street Studios in Holloway, North London. Once in a while, for reasons that remain unknown to me, the Buzzcocks would hire one of the rehearsal studios to practice. Every ot he band rehearsing would just stand in the corridor and listen. That was the late 1990s. They were really sweet guys.
The Sex Pistols and the Clash get all the mainstream credit, but Buzzcocks and Stiff Little Fingers have inspired a fleet of bands.
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@Stuart.T you said you fancy some State of Fear… put an ear to this.
https://nukepowergenocide.bandcamp.com/album/devastation-of-the-future
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@Filthy:
@Stuart.T you said you fancy some State of Fear… put an ear to this.
https://nukepowergenocide.bandcamp.com/album/devastation-of-the-future
If you are going to shamelessly ripoff other bands do it well, and they do it well! I truly expected them to be Japanese!
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So HMV has been bought out by a Canadian record label. They hope to focus more on vinyl…yes!..
They have immediately closed 27 stores including 3 of my more local stores...bollocks.I have a couple of Indies a short drive away, but please, businesses stop driving EVERYTHING online!!! Music is the food of the soul for me, and online is just a music fast food joint, and a good music store is fine dining. I don't want fries with everything!!
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Friday nights are reserved for only the greatest tracks. The problem with this one is that it's so good where do you go next?
Right here?
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So HMV has been bought out by a Canadian record label. They hope to focus more on vinyl…yes!..
They have immediately closed 27 stores including 3 of my more local stores...bollocks.I have a couple of Indies a short drive away, but please, businesses stop driving EVERYTHING online!!! Music is the food of the soul for me, and online is just a music fast food joint, and a good music store is fine dining. I don't want fries with everything!!
I will concur that a great record store is an awesome thing. Selectadisc in Soho (UK) was my favourite back in the day. First heard Godspeed You! Black Emperor there and got majorly into the Constellation Records Montreal spacerocky kinda scene as a result.
That said… I think the ol' interwebs at least matches a fine record store in its potential for delivering all kinds of interesting stuff to be dug up. I've discovered all sorts of cool music online, including stuff which may never have even ended up on a record back in the day. I get a little misty-eyed remembering Selectadisc, but in terms of musical freedom and availability the net really is quite remarkable.
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@nurunuru I understand the dilemma, but a physical record store will always hands down be better in my opinion. I have found more music by stumbling across it by accident, speaking to other music fans, or over hearing a record being played than I have on line.
Algorythms dictate everything online. They exclude more choice than they include because they are depended on as a commercial tool (read interviews with any of the originators of the big social media companies).
I liked Selectadisc too (I wonder where Duncan is now?), Rough Trade when it was below Slam City Skates, Rhythm Records in Camden, Tower Records in it's heyday. Give me those back and you could keep the internet.
