Live Concerts
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@endo said in Live Concerts:
what a blast, these guys are going to be BIG soon
Well said @endo - the Bobs are supporting Iggy Pop in May.
Punkgasm
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Last minute decision to go to Lenny last night. I am not a huge fan of LK (other than his early albums) but Craig Ross is worth the ticket price alone.
These pictures are taken during his solo on Believe. Sheeeeeeeeeeeeet.
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@Bridger said in Live Concerts:
the Bobs are supporting Iggy Pop in May
wow, yeah! at ally pally, that'll be great
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@endo said in Live Concerts:
wow, yeah! at ally pally, that'll be great
Ally Pally is not my favorite venue (and is a bitch to get to), but awesome for BV to be recognised by Iggy. Big props.
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@endo said in Live Concerts:
never been there for a concert
It's like an aeroplane hanger - big box - concrete floors - no seating - no acoustic treatment. I left a Deftones gig after half a dozen songs as the sound was so bad.
I have since learnt the trick, which is to go to the far right hand side and walk all the way down to side of stage - nobody goes there for some reason and the sound is tolerable.
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@endo me neither but I’ve recently booked to see Amyl and the Sniffers there in November.
@Bridger the Iggy Pop gig also popped up on my radar this week - Wednesday’s not a great day for me but I’m giving it some serious thought. Joe and the Shitboys are supporting too – they were a lot of fun when I saw them last year, although I’m not sure how well their act will translate to a bigger venue.
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@ARNC said in Live Concerts:
Joe and the Shitboys are supporting too
"The queer vegan shitpunks, Joe & The Shitboys, formed with the intention of calling out shitty behaviour in the conservative Faroe Islands, where the rock scene is filled with boneless homophobes and meat-eating misogynists – and continue to take their aim at general vibe killers everywhere."
Ha, love that. Faroe Islands is a melting punk pot.
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Saw Helmet last night. They were damn good. They played the album Betty in its entirety for the 30th anniversary.
Bonus, the opener Slomosa was also damn good!
Helmet
In the easy chair with my boots on, melted whiskey in my hand. Could'na been asleep for more than three hours...time to go to work again...
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@Mizmazzle Awesome ... now I'm bummed I missed them. Last time I saw them was w/ Rollins band and Sausage in '94. The next show I have in mind is probably Deer Tick and Drive-By Truckers at the Ogden in June. Too many damn people in CO keeps me around the house. <Old Man Yells At Cloud> lol.
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I got to experience the new Concrete Voids system at the Queen Elizabeth Hall last night - no photos but this will give you an idea of what it’s about.
Obscure instruments, clever (but not in your face) technical stuff, and 80+ speakers hidden in (you guessed it) concrete voids, turning the building into a living instrument was quite an experience. In their different ways Liam Byrne, Cleek Schrey and Peter Gregson created something fun and exciting - PG and LB both spoke about chipping away at the wall that divides performers and audiences, and doing something more immersive.
The whole idea is really cool and I’ll be looking out for future events exploring the possibilities of the new system.
If anyone’s interested, this is the official info about the programme:
Composer and cellist Peter Gregson’s new work for cello, synthesisers and string ensemble, developed in collaboration with Brett Cox and Aurora Orchestra, uses the form of the building to bring the audience inside the music.
Meanwhile, viola da gamba player Liam Byrne and fiddler Cleek Schrey, both rooted in historical music traditions, join forces with a performance blending composition, improvisation and electronic music, building multi-dimensional soundscapes in real-time. Using a viola da gamba and hardanger d’amore (violin with sympathetic strings), they explore time and space, transforming the Queen Elizabeth Hall with atmospheric, resonant sound.
Concrete Voids, conceived by Southbank Centre Sound Technician Tony Birch, is a custom-built system of over 80 hidden speakers, turning the Queen Elizabeth Hall into a 3D sound instrument. It allows artists to manipulate sound throughout the space, creating rich, immersive experiences.
