Movies
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Soldado…not as bad as the reviews make it out to be, but nowhere near as good as Sicario. Obvious weaknesses include poor plot development, questionable casting of secondary characters and an anticlimactic final scene. Still, I enjoyed it a lot more than I thought I would given the general opinion of the film.
I think it felt like the kind of a sequel that tries its utmost to feel like the first, highly acclaimed movie and forgets about becoming a movie by itself. The music, the drawn out scenes etc. felt like the 1st one but not quite.
I thought it was really solid up until the mission "return the package", it went downhill from there with the convoluted back-and-forth, will-they-or-won't-they.
Having said that, I won't mind seeing the 3rd installment if it gets greenlighted (like it seems it will).
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We took our 3 1/2 year old son to the cinema for the first time this morning to watch Small Foot. I enjoyed it's sledgehammer of an anti zealot religious message, and a way above 'animation soundtrack song by Common. Sennen was a little star and sat through the whole 1 1/2, something that 50% of the adults didn't seem to be able to do! (You are out with your kids and friends, get off your phones and enjoy each other's company!!!!).
Not one bleak moment in it either. I must be going soft eh @Seul
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Loved 'Green Book' and found Viggo hilarious.
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Intrigued by all the comments about Irréversible I watched it the other day. It's shocking and disturbing, no doubt. When it comes to heavy movies I'd still say Requiem For A Dream is by far the more depressing one.
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I like bleak films, the reason being that I dislike films that try to sugarcoat everything and pretend everything in life is peachy. I just like a good story when it's all said and done, whether it's a superhero film or a film about the apocalypse. I know a guy that refuses to watch The Wire tv show because he's not interested in the gang violence. I tried explaining the premise of the show and that it's not all black and white and that the show offers perspective. He'll watch The Walking Dead with its extreme violence but he won't watch The Wire. Go figure ???
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The Favourite - Lol, this was unexpectedly hilarious (I tried to avoid reading up on it beforehands). Oscars-a-plenty for this one, I predict, and deservedly so. Many many memorable scenes, great dialogue, stellar performances by everyone… Quite the complete package and highly recommended!
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I know a guy that refuses to watch The Wire tv show because he's not interested in the gang violence.
That's just crazy talk. As I said previously, I prefer upbeat stuff, but The Wire is spectacular.
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I know a guy that refuses to watch The Wire tv show because he's not interested in the gang violence.
That's just crazy talk. As I said previously, I prefer upbeat stuff, but The Wire is spectacular.
I know, right? It's the realism that puts him off for some reason. He can watch a guy hack somebody into hamburger meat via The Walking Dead but seeing someone get shot is scary
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I wouldn't want to make an aversion to gratuitously miserable or depraved content be interpreted as my being unwilling to watch things that cast light on the underside of things (I also love "The Wire" and my favorite drama of all time is "Breaking Bad"). I think it would suck to live in that kind of denial where you can't be exposed to certain things.
I think the key is "gratuitous," as in, not serving a role in telling a story I care to witness. I don't want to see a story like "The House that Jack Built" and believe that shows like "True Detective" Season 1 and the above used different kinds of darkness and suffering to tell interesting stories (being a big fan of Lovecraftian horror, I'd particularly love a bit more existential darkness and cosmic horror per TD season 1).
Basically, if it isn't fun or doesn't expand my experience in a beneficial way, I'm not interested. Perhaps I'm just a hedonist.
To address @DougNg 's point, they changed the gun emoji to now be a water gun. I'm sure gun violence has been cut in half.
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Same here. My natural disposition trends toward depression. Willfully pushing my emotional state further that direction is just a bad idea. Anything dark and painful is a hard pass.
However, a movie I did see recently was Spider-Man: Into The Spider-Verse. That was absolutely phenomenal. Definitely, worth catching in the theater, too. There are a couple of scenes that are genuinely beautiful.
Couldn't have said it any better.
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I think the key is "gratuitous," as in, not serving a role in telling a story I care to witness. I don't want to see a story like "The House that Jack Built" and believe that shows like "True Detective" Season 1 and the above used different kinds of darkness and suffering to tell interesting stories (being a big fan of Lovecraftian horror, I'd particularly love a bit more existential darkness and cosmic horror per TD season 1).
Speaking of Lovecraft, why does no one adapt more of his stories into film? Next to Edgar Allen Poe and Sir Arthur Conan Doyle he is absolutely one of my favorite authors. Truly ahead of his time
Sent from my iPhone using Tapatalk
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A fear of the image of firearms is all over the web now. It’s pretty pathetic
Right? The image isn't going to hurt you. Accompanied by needless irony.
And so I don't screw up the thread-thoroughly enjoyed Den of Thieves, a film with more firearms than you could shake a stick at.
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As with any narrative the use of firearms in cinema can have hugely varying impact. Scenes in John Woo's The Killer are so stylised that they become almost ballet. But then a film such as Elephant depicts the use of firearms with such impact that it resonates more.
As parents we have a choice to make as to what our children are exposed to. We choose not to let out son play with toy guns, and certainly don't expose him to films with guns (he is 3 1/2). If evidence of the continual ready exposure to graphic images on the young was needed, look at their perceptions of sexual relationships, boys particularly.
The British Army have a recruitment campaign at present that shows a teenage boy playing shoot em ups alone in his bedroom, with a parent commenting passively outside his bedroom door as though there was nothing possibly they could do to change the situation. The promo then switches to the same lad in the field carrying an assault rifle. Appaulling.
It's not a subjective issue. A person that triggers a firearm harnesses the power to kill themselves or someone else by accident or with purpose. Show more use of firearms in cinema I say, but show the reality, not the glorification. The visceral not the gratuitous.
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Very thoughtful @Stuart.T . Violence, real violence, bears no resemblance to the movie stuff. Real violence is sudden and messy.
