Craft Works - Let's Get Creative!
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That new Schmidt jacket is so damn nice. The color combo of the fabric and ur choice of buttons couldn't have been any better
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Hey Guys,
1st things 1st - Schmidt is da shit! I hope you've got a lot of material, Homie! Because Big Daddy will be needing a custom shirt soon! OK, all that being stated, onto my latest project…
Here’s my 1st Redmoon-style wallet; it measures 3.5” wide x 4.5” tall with a conventional cash/receipt pocket and 2 card pockets that will hold at least 4 cards each. It ended up being about 1/2" thick so it's not too crazy and should carry well. Let me know what you think!
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great work moonshine!
and thank you guys.
some people asking for fit pics, so here we go:
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Love it nietenhosen!
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thank you man.
it is an organic cotton handwoven beige/darkgreen chambray, think it's 6,5oz.
bad thing is that it shrank down a bit more than expected, so it fits a bit snug at me…may be cool in the summer with nothing underneath, will see... -
did a special shirt for my father in law…
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Love the chambray collar
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that paint-like part is oil pastel, juan. it is applied generously with great force and many strokes (over and over the same line until a suitable amount of material is accumulated. those ridges are the excess pastel that is squeezed out the sides when making the line). the other parts are still colored pencil on black Arches Cover paper.
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The last day of college has arrived. This is my final paper in an art history course surveying minority perspectives (laborers, minstrels, immigrants, homosexuals, women…) in New York from 1835-1935. For my final, I focused on blackface minstrelsy: http://en.wikipedia.org/wiki/Blackface. This paper is my non-verbal response the misappropriation of complex African cultures (brown color scales) and the subsequent manipulation and capitalization of the fabricated blackface stereotypes (burnt cork, red, white) by the caucasian (AND rich african american, shown in gold and bronze instead of burnt cork and red) majority.
The oil pastel is supposed to be chunky and haphazard for this piece. It was inspired by videos of white actors applying the makeup onstage while talking/dancing/singing, as if you could just slap some paint on your face and you're as good as black. Fucking white people.